{"id":112,"date":"2020-06-13T17:37:03","date_gmt":"2020-06-13T17:37:03","guid":{"rendered":"http:\/\/janinecontemporary.net\/?page_id=112"},"modified":"2025-06-23T17:33:58","modified_gmt":"2025-06-23T17:33:58","slug":"statement","status":"publish","type":"page","link":"https:\/\/janinecontemporary.net\/?page_id=112","title":{"rendered":"Statement \/ Exhibitions"},"content":{"rendered":"\n<div class=\"wp-block-uagb-container uagb-block-32ec5594 alignfull uagb-is-root-container\"><div class=\"uagb-container-inner-blocks-wrap\">\n<div class=\"wp-block-uagb-container uagb-block-e39cc5d9\">\n<div class=\"wp-block-uagb-container uagb-block-7a6fe669\">\n<p>STATEMENT<\/p>\n<p><strong><em>My medium began early on as pencil on roofing tar paper and evolved from black to white paper, prismacolor color tones are rich, adding vibrancy to the skies and desert land. My color palette is vast with over one hundred and fifty shades, allowing for many multiple layers and blending the pencil\u2019s pigments. Accompanying my technique is subject matter:<\/em><\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-2af2536c\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"640\" src=\"https:\/\/janinecontemporary.net\/wp-content\/uploads\/2020\/11\/JanineStern_IMG_0897-rotated.jpg\" alt=\"\" class=\"wp-image-219\" srcset=\"https:\/\/janinecontemporary.net\/wp-content\/uploads\/2020\/11\/JanineStern_IMG_0897-rotated.jpg 480w, https:\/\/janinecontemporary.net\/wp-content\/uploads\/2020\/11\/JanineStern_IMG_0897-225x300.jpg 225w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-dcc60c3a\">\n<p><strong><em>Industrial Iconic Route 66 remnants. This is an important look at \u201cAmericana\u201d as we know it. Graffitied gas stations and saddened relics of Ghost towns are scattered along American highways and small towns. These passages have reached the same demise as the steel mills, remaining silent. My documentation of a once vibrant landscape are now fragile displays from an era with rich and deep, dark stories. These unique dottings along Historic Route 66 make this series very relevant, as we are faced with a dramatically different landscape. The real Mother Road once commercialized now leaves only heroic symbols of steel and neon silhouetted against skies. The title of each artwork is acknowledged by the highway exit.<\/em><\/strong><\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n<p class=\"has-small-font-size\"><span style=\"color: #000000;\"><span style=\"font-family: Helvetica, serif;\"><span style=\"font-size: medium;\">BORN\u2006 \u2006 1961- New Castle, Pennsylvania<\/span><\/span><\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">_________________________________<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><span style=\"color: #000000;\"><span style=\"font-family: Helvetica, serif;\"><span style=\"font-size: medium;\">EDUCATION<\/span><\/span><\/span><\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-style-plain is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><span style=\"color: #000000;\"><span style=\"font-family: Helvetica, serif;\"><span style=\"font-size: medium;\">B.A. in Studio Arts, University of Pittsburgh, PA 1984<br>Advanced Study, Indiana University of Pennsylvania, 1981 Lucca, Italy<\/span><\/span><\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><span style=\"color: #000000;\"><span style=\"font-family: Helvetica, serif;\"><span style=\"font-size: medium;\">SELECTED EXHIBITIONS<\/span><\/span><\/span><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"color: #000000;\"><span style=\"font-family: Helvetica, serif;\"><span style=\"font-size: medium;\">&#8220;Exit Series&#8221; The Butler Institute of American Art, Youngstown, Ohio 2023<\/span><\/span><\/span><br><span style=\"color: #000000;\"><span style=\"font-family: Helvetica, serif;\"><span style=\"font-size: medium;\">&#8220;Exit Series&#8221; Ellsworth Gallery, Santa Fe, NM 2023<\/span><\/span><\/span><br><span style=\"color: #000000;\"><span style=\"font-family: Helvetica, serif;\"><span style=\"font-size: medium;\">The Municipal Museum of Art International Biennial, Gyor, Hungary, 2005<br><\/span><\/span><\/span><span style=\"font-size: medium; color: #000000;\">Frey Norris Gallery, San Francisco, CA. 2002<br><\/span><span style=\"color: #000000;\"><span style=\"font-family: Helvetica, serif;\"><span style=\"font-size: medium;\">The Factory Drawings, Butler Institute of American Art, Youngstown, OH 2000<br><\/span><\/span><\/span><span style=\"font-size: medium; color: #000000;\">American Picturesque, Van de Griff Gallery, Santa Fe, NM. 1992<br><\/span><span style=\"color: #000000;\"><span style=\"font-family: Helvetica, serif;\"><span style=\"font-size: medium;\">O.K. Harris Works of Art, Birmingham, MI. Recent Works, 1992<br>The Butler Institute Of American Art, Youngstown, OH 1991<br>Pittsburgh Biennial, Pittsburgh Center for the Arts, Pittsburgh, PA 1990<br>#6 Carson Street Gallery, Pittsburgh, PA 1990<\/span><\/span><\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><span style=\"color: #000000;\"><span style=\"font-family: Helvetica, serif;\"><span style=\"font-size: medium;\">COLLECTIONS<\/span><\/span><\/span><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"color: #000000;\"><span style=\"font-family: Helvetica, serif;\"><span style=\"font-size: medium;\">The Butler Institute of American Art, Youngstown ,OH<br><\/span><\/span><\/span><span style=\"font-size: medium; color: #000000;\">The Municipal Museum of Art, Gyor, Hungary<br><\/span><span style=\"color: #000000;\"><span style=\"font-family: Helvetica, serif;\"><span style=\"font-size: medium;\">Howard Heinz Endowments, Pittsburgh, PA\u2006 \u2006<br><\/span><\/span><\/span><span style=\"font-size: medium; color: #000000;\">Senator John Heinz Pittsburgh History Center, Pittsburgh, PA<br><\/span><span style=\"color: #000000;\"><span style=\"font-family: Helvetica, serif;\"><span style=\"font-size: medium;\">Reed Smith Shaw &amp; McClay, Pittsburgh, PA<br><\/span><\/span><\/span><span style=\"font-size: medium; color: #000000;\">Buchanan Ingersoll, Pittsburgh, PA<br><\/span><span style=\"color: #000000;\"><span style=\"font-family: Helvetica, serif;\"><span style=\"font-size: medium;\">Matthews International, Pittsburgh PA<br>Corporate Jets, Allegheny County Airport, Pittsburgh, PA<br>Individual Collections<br>Terry L. Weiner, Palm Desert, CA<\/span><\/span><\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><span style=\"color: #000000;\"><span style=\"font-family: Helvetica, serif;\"><span style=\"font-size: medium;\">HONORS AND AWARDS<\/span><\/span><\/span><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"color: #000000;\"><span style=\"font-family: Helvetica, serif;\"><span style=\"font-size: medium;\">Mary Shaw Horn Memorial Award, Associated Artists 1996<br><\/span><\/span><\/span><span style=\"font-size: medium; color: #000000;\">City of Pittsburgh Council Commendation Times Project, 1991<br><\/span><span style=\"color: #000000;\"><span style=\"font-family: Helvetica, serif;\"><span style=\"font-size: medium;\">Pennsylvania Council on the Arts, Specific Project Grants, 1989,1992,1993, 1995<\/span><\/span><\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><span style=\"color: #000000;\"><span style=\"font-family: Helvetica, serif;\"><span style=\"font-size: medium;\">RELATED ACTIVITIES<\/span><\/span><\/span><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"color: #000000;\"><span style=\"font-family: Helvetica, serif;\"><span style=\"font-size: medium;\">Gallery Director, Tadu 2005-2018\u2006 \u2006<br><\/span><\/span><\/span><span style=\"font-size: medium; color: #000000;\">Gallery Director, The Edge Gallery, Janine Contemporary, Santa Fe, NM<br><\/span><span style=\"color: #000000;\"><span style=\"font-family: Helvetica, serif;\"><span style=\"font-size: medium;\">Founder Times Project, 1990 Pittsburgh PA<\/span><\/span><\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><span style=\"color: #000000;\"><span style=\"font-family: Helvetica, serif;\"><span style=\"font-size: medium;\">SELECTED ARTICLES AND REVIEWS<\/span><\/span><\/span><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"color: #000000;\"><span style=\"font-family: Helvetica, serif;\"><span style=\"font-size: medium;\">Cline, Lynn, \u201cIndustrial Resolution\u201d, Pasatiempo, The New Mexican, 29 September 2000<br>Addison, Laura, \u201cJanine Stern\u201d, THE Magazine, November 2000<br>Homisak, Bill, \u201cStern far from the madding Crowd\u201d Tribune-Review, 21 January 1990<br>Clark, Vicky, Pittsburgh Biennial Catalogue, Pittsburgh Center for the Art, 1990<\/span><\/span><\/span><\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>STATEMENT My medium began early on as pencil on roofing tar paper and evolved from black to white paper, prismacolor color tones are rich, adding vibrancy to the skies and desert land. My color palette is vast with over one hundred and fifty shades, allowing for many multiple layers and blending the pencil\u2019s pigments. Accompanying [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","footnotes":""},"class_list":["post-112","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"the-mx-gallery-thumb":false},"uagb_author_info":{"display_name":"cveverisX","author_link":"https:\/\/janinecontemporary.net\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"STATEMENT My medium began early on as pencil on roofing tar paper and evolved from black to white paper, prismacolor color tones are rich, adding vibrancy to the skies and desert land. My color palette is vast with over one hundred and fifty shades, allowing for many multiple layers and blending the pencil\u2019s pigments. Accompanying&hellip;","_links":{"self":[{"href":"https:\/\/janinecontemporary.net\/index.php?rest_route=\/wp\/v2\/pages\/112","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/janinecontemporary.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/janinecontemporary.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/janinecontemporary.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/janinecontemporary.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=112"}],"version-history":[{"count":52,"href":"https:\/\/janinecontemporary.net\/index.php?rest_route=\/wp\/v2\/pages\/112\/revisions"}],"predecessor-version":[{"id":465,"href":"https:\/\/janinecontemporary.net\/index.php?rest_route=\/wp\/v2\/pages\/112\/revisions\/465"}],"wp:attachment":[{"href":"https:\/\/janinecontemporary.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}